At 03:11 PM 3/12/96 -0700, you wrote: >>I think it has more to do with extending the *bridge* further, >which>moves those lower adjacent strings away from the end of >the bridge and>rim, thereby giving those strings a more resonant >area of the>soundboard. >>vince mrykalo rpt >Interesting concept, Vince. Notes being added to increase tonal >properties of existing notes rather than notes being taken away >for whatever reason. >Keith McGavern, RPT kam544@ionet.net >--------------------------------------------------------------------------- -------------- >To add to Vince's comment, I was taught that the top three notes >were important in order to extend the bridge and put a load on it. >Having a loaded bridge that extended beyond A7 made A7 a >better sounding note. Didn't someone do that on the bass >end-add a string or two that could be tuned, but no hammers to >play them. They were there only to extend the loaded portion of >the bridge. > >Jack jack_reeves@byu.edu Yes, Kawai did that on the US-75 (I think that's the number) model upright. Barbara Richmond, RPT Palestine, Texas
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