>Danny Moore wrote: > >>OK, I can accept that, but why "new" ribs on an old board? If the board >>was truly a beautiful sounding board, it was a result of the whole thing, >>including ribs. This logic was why our teacher taught us to remove the >>board, cook the humidity out of it, and glue the original ribs back on >>in the facory location. This restores the crown without changing any of >>the original characteristics. Of course one would have to be careful not >>to destroy the angle of the inner rim, and (as a result of many years) the >>rebuilt board will be slightly smaller than the rim, so the "gap" >>between the board and the rim must be filled (we used epoxy). > André writes back: Dear Colleagues, One thing I forgot to mention: It would *probably* be better to have "old" wood for ribbing old boards. However, old wood is hard to get and very expensive, but I do prefer seasoned wood in this case. A final thought..... Friendly greetings from : CONCERT PIANO SERVICE André Oorebeek Amsterdam, the Netherlands ‰ where MUSIC is no harm can be ‰
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