> Date: Mon, 10 Feb 1997 20:32:59 -0500 > From: dempsey@ramlink.net (Paul E. Dempsey) > Subject: Re: vertical hammer hanging -Reply > To: pianotech@byu.edu > Reply-to: pianotech@byu.edu Of course you can see the hammer much better on the upright. I'm sure cosmetics is one reason. When we trim and disksand grand hammers we get a straight line from #1 to #88 and the backchecks end up lined up nicely. The hammers of the upright would end up with that same straight line from #1 to #88 after trimming and disksanding. Would the bass hammers look strange? ilvey, RPT Pacifica, CA > > Anything which can cut down the hours would > >benefit us all, so you > >seasoned vets out there might want to sew on this > >thread for awhile. > > > > Thanks, Eliot Lee > > > > > > Does anyone out there know of any reason ( other than cosmetic) why upright > hammers are not bored all the way thru. > I can remember seeing a few vintage uprights with the hammers bored all the > way through the molding. And, I have seen grand hammers that were mounted > like most upright hammers, e.i. holes bored into but not thru.... > > Now, considering all the rules for proper hammer hanging in EITHER grand or > vertical installations.... the only difference I see is one of the > appearance of the final product. SOOooo. .. > Why is it O.K for the end of the shanks to show in a grand, but not in the > upright. > > Boring a through hole in the upright hammer head would make the hanging > ever so much easier and faster. Of course, you would only do this when you > were also installing new shanks, but as long as the excess shank was neatly > trimed,etc. . > > I've never actually done it this way and can't say that ever will, but I'm > just wondering why we hang upright hammers the way we do. Is there a > reason? > > Paul E. Dempsey > Piano Tuner/Technician > Marshall University > Huntington, WV > dempsey@ramlink.net > > > >
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