Mark, Joel, et al. We are indebted to the _very_ few artists like Andre Watts who are willing to give voice to their impressions/convictions about the instruments given them to play. Even if they are highly critical of us, hopefully only as technicians, and not as human beings, neither organizational management, nor artist representatives, nor, unfortunately manufacturers will listen to anyone else - if, indeed, they listen to the artists. People do not like to think of pianos except as icons. It is difficult, at best, to educate them to the idea that every instrument has a usable lifespan (for artistic purposes) after which time it must receive either major service or be replaced altogether. Strings, hammers, certain action parts simply must be viewed as immediately depreciable, IFF the piano is to be in the best condition which its basic construction allows. Good luck, Mark. Horace >The Spokane Symphony had Andr=E9 Watts earlier this year as a guest artist. >The notable thing he did here was bring the Symphony management back to >earth in regard to our relatively new D. So far it has been a truly >exceptional piano. However, as we all know, it still needs maintenence. >Andr=E9 was the only artist this year that did anything less than rave abou= t >the piano. He made a couple of suggestions and told us "do not become >complacent about your piano." This horrified the management, but I thanked >him for saying this since it helps me bring the management to a more >realistic attitude about the intstrument. > >Mark Story, RPT >Eastern Washington University >mstory@ewu.edu > >---------- >> From: Joel Rappaport <joelr@flash.net> >> To: pianotech@byu.edu >> Subject: Re: Confession time >> Date: Wednesday, May 14, 1997 11:47 AM > >> Yes, I agree. Just finished working with Andr=E9 Watts on a series of 2 >> rehearsals and 4 concerts. He asked me to touch up the voicing a Horace Greeley hgreeley@leland.stanford.edu LiNCS voice: 415/725-4627 Stanford University fax: 415/725-9942
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