List, A discussion is currently taking place on Dejanews regarding the quality of timber used in a Charles Walter v's a Yamaha upright. The discussion is along the lines of CW uses superior timber so is therefor a 'superior' piano. This generalized discussion of the quality of wood used in piano manufacture greatly interests me. I was under the impression that the case assembly of a vertical had very little, if anything, to do with the sound quality. Recent articles in the Journal have challenged the 'hard maple' theory of grand rims, along with other 'truths' such as the number of gain/inch of soundboards, etc. etc. So in order to try to make some sense of all of this, I would appreciate any help to improve my understanding of what components (other than the obvious soundboard) in a vertical does timber 'quality' affect tone, and why? Regards, John Woodrow
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