Cliff, Besides the other answers I've seen, here's something else you might want to consider. Was the grand used perhaps too heavy itself? Either from friction, weighting or geometry problems. Was the regulation good? Was there excess friction in the action or damper assembly? Perhaps the hammers were too soft (fairly typical) and maybe in combination with any or all of the other things, this gave the impression to a young student (adult too, for that matter) that the piano was heavy to play. If all the above is correct, I don't believe that a good student that age would find a grand *that* hard to play on. We have student groups that use our facilities quite frequently and I've never had any complaint about any of our concert grands being too heavy. Yamaha is not known (in my experience) as being a real light action. They are usually pretty good as far as the downweight is concerned. Sure, the repetition will be better on a grand but I wouldn't think there would be *that* much difference in the actual pressure needed to depress the keys. Compare the two if you can. See how the grand is. Maybe that's the one which needs the work and not the Yamaha. If you do decide to work some with the Yamaha, check the damper lift with the keys. A quick way to increase the feeling of weight is to regulate the damper spoons so the dampers will lift a little sooner. Assuming there is enough play to do this without causing damper ringing problems. Just a few thoughts from past experience. Avery > My client has a Yamaha U1 (upright) that I service regularly. >This piano has been very consistant and my client has been very happy >with it. On my last service on this piano though, the lady asked me a >question that I usually don't hear very often. She asked if I could make >the action heavier. It seems that her son, who is the pianist at the age >of 12, has become quite good . He entered his first piano competition >and had great difficulty playing on the competition piano. It was a >grand that was at a local piano dealer's recital hall. I assume that it >was a Steinway because he is a Steinway dealer. > Anyway , the boy complained that the piano played exceedingly heavy and >that he couldn't play his chosen piece properly. Apparently none of the >participants could rehearse on this piano , so they had to play cold >turkey. > I explained the major differences between her U1 and a full >sized grand and that if her son continued to become more accomplished >on the piano that she really should consider upgrading. Her response was >that they didn't have enough room for a grand , much as thay would like >to have one. Then she reitorated her question. > My experience with action improvement has always been with >trying to make actions play easier ,or should I say with as little >frictional resistance as possible. How can I solve this customers >problem without radically changing what I find is a fine working action? > > Tunefully, > Cliff Maurer (Lunytuner) ___________________________ Avery Todd, RPT Moores School of Music University of Houston Houston, TX 77204-4893 713-743-3226 atodd@uh.edu http://www.uh.edu/music/
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