HT's,Broadwood

Richard Moody remoody@easnet.net
Wed, 18 Mar 1998 02:54:13 -0600



----------
> From: Billbrpt <Billbrpt@aol.com>
> To: pianotech@ptg.org
> Subject: Re: HT's
> Date: Tuesday, March 17, 1998 8:29 AM
> 
.  But what their factory tuners and tuners of the
> period actually did would not qualify as ET today.   Read some of
the
> supporting documentation surrounding the Broadwood chapters in
Jorgensen's
> book.  You will see that it is because of the temperament sequences
(bearing
> plans) that were actually used that a certain inequality was the
result.

I saw those figures and documentations. All out of Helmholtz,
"Sensations of Tone". ( the translator Ellis's appendex) Then based
on Ellis's measurements of 7 tunings by a method that is not
described, the tuning plans are  hypothesized by Jorgensen.  All of
this prove his contention that tuners of that time were "tuning a
well temperament and then calling it equal temperament".(p.545)   It
is far more accurate to say that tuners were trying to tune ET, but
not achieving it to the standards of today.  Jorgensen does present
credible evidence that other tuning schemes particularly meantone
were also used. 
	It is a mistake to assume the bearing plans given are the ones that
were actually used. They are only Jorgensen's educated guesses taken
from data gathered by Ellis outside the factory. No authentic tuning
schemes, or instructions from the factory on how to tune the
Broadwood piano are given. Again like Bach's comments on the tuning
of WTC, this is information that may not exist today.

Richard Moody	


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