---------- > From: Billbrpt <Billbrpt@aol.com> > To: pianotech@ptg.org > Subject: Re: HT's > Date: Tuesday, March 17, 1998 8:29 AM > . But what their factory tuners and tuners of the > period actually did would not qualify as ET today. Read some of the > supporting documentation surrounding the Broadwood chapters in Jorgensen's > book. You will see that it is because of the temperament sequences (bearing > plans) that were actually used that a certain inequality was the result. I saw those figures and documentations. All out of Helmholtz, "Sensations of Tone". ( the translator Ellis's appendex) Then based on Ellis's measurements of 7 tunings by a method that is not described, the tuning plans are hypothesized by Jorgensen. All of this prove his contention that tuners of that time were "tuning a well temperament and then calling it equal temperament".(p.545) It is far more accurate to say that tuners were trying to tune ET, but not achieving it to the standards of today. Jorgensen does present credible evidence that other tuning schemes particularly meantone were also used. It is a mistake to assume the bearing plans given are the ones that were actually used. They are only Jorgensen's educated guesses taken from data gathered by Ellis outside the factory. No authentic tuning schemes, or instructions from the factory on how to tune the Broadwood piano are given. Again like Bach's comments on the tuning of WTC, this is information that may not exist today. Richard Moody
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