Ralph, This "theme" with checks is similar to, or part of a "theme" which many of us have heard and probably know , namely "up 2 thirds and down a fifth". Meaning you tune from, let's say, C3 tune C3 -E3, E3-G#3, ( C4 should already be tuned to C3 and checked with G#2 and D#3) G#3-C#3, C#3-F3, F3-A-3, etc. By now you have a few "checks" already, one being the speed of beats from C3-E3 and C#3-F3, etc. This is one of the first methods I learned. It is taught in John Travis' books "Let's tune up" & "A Guide To Restringing". I also use the fifth/fourth, fifth/fourth method on occasion when I have a nice piano to tune and I am not in a hurry. I really enjoy tuning aurally under these conditions but most times I have a few appt's to make so out comes the SOT. BTW, when I first heard the theme "up 2 thirds and down a fifth I thought the tuner I was talking to was making a joke. I was ready to go get a "fifth" of Jack Daniel's and set a real "temperament" ....<g> Regards, Greg Torres ralph m martin wrote: > I use the theme quite frequently when I'm tuning ET (which is all I > tune). It's a very easy theme for me and all checks such as 3rds, 6ths, > 4ths, 5ths. etc usually leave very little shifting to be done. Also worth > mentioning, I suppose, is that the initial octave of A's that I set are > simply set beatless rather than attempting to conform to a pre-designated > stretch such as 4-2 , wide 2-1, 6-3, etc. > >
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