Hi List, Allow me to address some perceptions regarding smoke damgage. Wim and Ed, I mean no offense using your posts...I'm here to help. Wim wrote: >>Smoke does have acid that causes strings to rust. Although it might not effect >the srings now, in about 10 years the acid will eat through the strings which >will cause them to break. It is true that the acid nature of smoke will cause oxidation. The idea though that in 10 years or so the acid will eventually eat through would make sense at first thought but isn't true. The research done by Allstate Insurance shows the acidic effects take place the first 18 hours after the incident occured. I've tune many pianos which had obviously been in a fire situation 20 years ago and longer...the piano's pitch could be raised and fine tuned. Now, I'm not recommending that nothing be done with the strings or even restringing. Just wanted to address thought. Wim also wrote: >As far as the action parts are concerned, unless you can clean each part, and >again, including all the hidden parts, these should also be replaced. The >hammer felt has obsorbed this smoke, and it will change the tone of the piano. >Getting rid of the smoke smell is another problem. There were some posts on >this several months ago. A smoke restoration company will be very helpful in >getting rid of this. I forget the method they use, but they should have a room >that eliminates smoke smells from furniture. Just include the piano. Ed Foote wrote: >>There is the very real possibility that this piano is history. The effects of >the acidic nature of the smoke will show up over the next year, as centerpins >corrode and freeze, glue joints begin to fail, and strings begin to break. > All that you see is not all that is affected, I will just caution you to >go carefully here and make no promises for the pianos future integrity. Absorbed odor in hammer felt will not change tone. Excessive particals of carbon (note: odor bearing particles) will change tone to a minimal degree (note: minimal at best). Important factors which effect the odor level and amounts of smoke residue: 1.) Substance burning 2.) Oxygen levels at time of fire 3.) Duration of the fire 4.) Temperature and penetration of the fire 5.) Piano' location in regard to air currents 6.) Extiguishing process (water? foam? etc.) Smoke odors are easily detected and apparent when both temperature and RH are high. The restoration companies which Wim refers to use what is called an Ozone Chamber. (Please note: Many restoration companies admit they are inadequate in the area of effectively cleaning a smoke damaged piano and will call us). Ozone is an olfactory desensitizer (it will fool your smelling sense). All smoke odors are not oxidizable nor are all oxidizable at the same rate. Two major considerations when using ozone is: 1.) The number and types of burning substances 2.) The length of time the fire was burning. Ozone is a poor pentrator. Ozone destroys latex and rubber and is ineffective removing odors resulting from burning synthetics such as plastics and synthetic textiles. Ozone has a very pungent odor...ah, smells so fresh...but give it a week and a hot humid day...guess what...odor is still there! Ozone has a hort half-life (15-45 minutes). Ozone in high concentrations can be toxic. Should not be used with moisture in the air...O2 + 03= Hydrogen Peroxide (known to be corrosive...any piano parts come to mind?) So, don't just include the piano with a bunch of other furniture. The results are quite poor in the long run. I could write much more on this topic and am in a coursework for technicians. This is a large project, taking a bit of time. If I may be of further help, please call or email. Dave Swartz, RPT IICRC Odor Control Technician dms2000@majesticpiano.com or dms2000@pioneerplanet.infi.net website://www.majesticpiano.com
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