Ralph and less Thanks a lot for your answer; I'm going to try to find a copy of his publications; seems very intresting, if not for pianotechnicians, it'll be for understanding and arranging harmony and chords. Peter 't MUZIEKINSTRUMENTENATELIER PETER KESTENS BELGIUM KESTENS.P@DEBCOM.BE -----Oorspronkelijk bericht----- Van: ralph m martin <rmartin30@juno.com> Aan: pianotech@ptg.org <pianotech@ptg.org> Datum: woensdag 25 maart 1998 20:06 Onderwerp: Re: Scillinger and ET >Hi Peter > >Joseph Schillinger was a German born Russian who approached music , past, >present and future, mathematically. His two texts are actually >collections of lectures that were taught, originally at Julliard and many >other great schools of music. > >He was a man with no musical snobery. He would analyze Beethoven and then >re-write a portion of one of his works and actually IMPROVE it in most >musicians opinionsIn the very next lecture he was analyzing Jazz with >equal fervor. > >It remains, today, the backbone of the Julliard method of composition and >arranging as well as the method taught in other great schools. The >founder of Berklee in Boston was a man by the name of Berk who was also a >student of his. > >HIs two volumes were published by Carl Fischer, Inc in New York. It being >so many years and the demand being so (relatively) small that I doubt if >they are still being published. There has to be some available in used >book stores I would think. > >Schillinger used to poke holes in the old theories of harmony touting >such things as "no parallel 5ths" and no "doubled thirds" (that are still >being taught today).. > >You here his teachings today in Ferrante and Teicher, (my apologies for >the spellings of some of these names) Peter Nero., Andre Previn and >virtally every Jazz artist you have ever heard in recent years. The >reason that the method is particularly suited for Jazz is that we >frequently re-harmonize entire lines with structures that are , >(apparently) in no way related to the original. Whereas very little of >this is done to classical music in order to preserve the composer's >intentions. Modern composers couldn't care less! Maybe the classical ones >wouldn't have cared either. I really don't know. > >In my theater organ arrangement of Henry Mancini's "Moon River, my entire >last line was re-harmonized with a series of voice-led dominant 9ths. >There were many structural changes throughout the rest of the >arrangement. The entire left hand was contrapuntal. I don't believe >anyone would dream of doin that with a classical composition. On the >other hand, Henry Mancini LOVED the arrangement. I >know this because he told me he did. > >Hope that answers at least a bit of your question. > >best regards >Ralph Martin > that the Wed, 25 Mar 1998 09:27:22 +0100 "Peter KESTENS" ><KESTENS.P@Debcom.be> writes: >>Ralph, >> >>Excuse me, but who was Schillinger? It's the first time I hear his >>name. >>Peter >>'t MUZIEKINSTRUMENTENATELIER >>PETER KESTENS >>BELGIUM >>KESTENS.P@DEBCOM.BE >>-----Oorspronkelijk bericht----- >>Van: ralph m martin <rmartin30@juno.com> >>Aan: pianotech@ptg.org <pianotech@ptg.org> >>Datum: maandag 23 maart 1998 21:30 >>Onderwerp: Scillinger and ET >> >> >>>I poured over the Schillinger manuscripts last night and was >>surprised >>>that there was absolutely no mention of any tuning outside of Et. I >>would >>>have thought that other temperments would have been mentioned duing >>the >>>analysis of early musical composition??? >>> >>>One thing that I noticed however, is that Schillinger credits Andreas >>>Werkmeister with the development of the mathematical construct of Et >>in >>>1691??? >>>Ralph Martin >>> >>>_____________________________________________________________________ >>>You don't need to buy Internet access to use free Internet e-mail. >>>Get completely free e-mail from Juno at http://www.juno.com >>>Or call Juno at (800) 654-JUNO [654-5866] >>> >> >> > >_____________________________________________________________________ >You don't need to buy Internet access to use free Internet e-mail. >Get completely free e-mail from Juno at http://www.juno.com >Or call Juno at (800) 654-JUNO [654-5866] >
This PTG archive page provided courtesy of Moy Piano Service, LLC