J Patrick Draine wrote: > > The important thing to realize is that thin CA is useful when "doping" an > old, fully strung piano. I only use a few drops at each pin. I have seen > posts recommending soaking alot of CA into the pinblock. One of those posts > mentioned an unintended result of CA dripping out onto the keybed or > customer's floor. Excess is not the way to go. Thin CA is not a gap filler. > When the piano is unstrung, with the tuning pins removed, epoxy can be used > to 1) reinforce the pinholes (as Bill advocated) or 2) fill the holes > completely, to be redrilled. In the latter process, thin epoxy soaks > through the rest of the pinblock, stabilizing it. While the "proper" > procedure would be to replace the pinblock, several technicians (Rob Stuart > Vail, for one) have had success with this procedure. Some have advocated > its use in restoring early instruments. > I would be extremely leery of dripping thin epoxy into a fully strung piano > (sheared tuning pins would be likely, in my opinion). > Keep in mind that CA fumes are toxic, and CA is very bad on human skin. > Epoxy is much less noxious. > > Good luck, > Patrick Draine I have treated pianos with CA glue, heavy applications at that. I have never sheared a tuning pin. The pianos are still being tuned after 4 years. -- Frank Cahill Associate Member, Piano Technicians Guild Northern Va
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