This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Chris: I never had a customer like this, but it happened to a colleague of mine = during his apprenticeship years ago in Northern Ireland. The client = hadn't had a tuning in many years, and the day after his tuning, his = company received a complaint. Seems the piano (Steinway grand) had = lost its "voice." His mentor accompanied him back to the client, = listened to her complaint, and asked for 15 minutes to correct the = problem, which he did by knocking 2 strings of every unison out of tune = with his tuning hammer (the original tuning, by the way, was perfect). = The client, of course, loved the result. In your case, you might think about pressuring 2 out of 3 strings of = each unison with a mute, just enough to put them slightly out of phase. = Removing the action will make this easier in your case. If this is not = sufficient, use the tuning hammer. In my opinion, a client's = satisfaction overrides any consideration we as technicians may have = about what constitutes a "proper" tuning. We get to do our work and = leave, while they must live with and play what we've left behind. If = this client likes your response to her requirements, you'll know what to = do next time (and have a great story to share at conventions) ! David Nadworny, RPT Medford, MA nadlane@earthlink.com =20 Date: Tue, 6 Jul 1999 03:01:48 EDT From: ChrisRis@AOL.COM Subject: Piano 'detuning' You wrote: Greetings, I have a dingbat of a customer with a Steinway upright from the teens = who=20 claims to be a 'wizard of interpretation' and to play the 'tone' of the=20 piano, 'unlike most professionals'. She hasn't tuned her piano in 12 = years=20 and the action was so frozen and out of regulation that it was = impossible. =20 Did the usual, file the hammers, adjust let off and blow, protek the = action,=20 teflon the butt leathers, voila, plays great. Unfortuneatley, it's no = longer=20 the piano she loved. It seems it has lost it's unique voice that she=20 preferred over any other piano she has heard, the best included. She mentioned today that Liszt 'preferred' his pianos out of tune - = found=20 them more inspiring - and it brought to mind a story I heard 30 years = ago=20 about an itinerant 'toner' that followed along behind the itinerant = tuner. =20 She - that's how the story goes - would slightly detune 1 string of a = unison,=20 restoring the charm and strength of voice of the instrument that somehow = was=20 lost in the tuning! Has anyone EVER heard of this??? I'm actually thinking of trying it on = her;=20 she's crazy enough to love it!!! Christopher Ris PS About 6 months ago I heard a snippet of a piano piece that was = prepared=20 like this, but out of tune enough the have that 'honky tonk' sound. ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/55/5c/d9/a0/attachment.htm ---------------------- multipart/alternative attachment--
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