Hi Clark, If you can solve the problem you win the $64,000 jack pot. Joking aside, there are several reasons. But most common is the the loss of mass due to the bridge notch, to accomodate the plate web, this reduces the stiffness of the board in this area, and how the board responds to the down bearing pressure. Some designers will place a rib directly under the notch to try and compensate for the loss in stiffness. I have rectified some pianos, by gluing and screwing a maple block on the rear of the sound board, approx equal to the mass removed. Since the last string in a given section behaves differently,due to the lack of down bearing tension on the open side. Most grands do not exhibit the same problem, because the bridge is continuous, however there is normally a change in string termination ( aggraffs to pressure bar) That results in a change of rendering. Frequently the way you pin set in this register is a little different than the centre section. ( Mason and Hamlin comes to mind) Because there is more movement at these notches,due to climatic changes and other factors, strings riding up on bridge pins is quite common, and more false beats are noticed on these notes. Similar instability can be noticed at the bass/tenor break, with the addition of phasing due to the critical nature of angled hammers. I'm sure others will add more reasons, but I would think this is the primary cause. Regards roger At 05:41 PM 5/8/99 -0400, you wrote: >I am wondering who can provide a definitive answer to the question of why most >pianos seem to go out of tune the most at the treble break. I have heard >several versions of answers, and would like to hear from the best. I am new to >the List, and inquiring minds just have to know! Clark Sprague Greenwich, >Ohio > > Roger Jolly Balwin Yamaha Piano Centres. Saskatoon/Regina. Canada.
This PTG archive page provided courtesy of Moy Piano Service, LLC