Roger, Unfortunately the vibrational modes of a string are not so complex as a scale built alternately from 2^(1/12) (an octave divided into 12 equal parts) or 2^(7/12) (a circulating chain of 12 approximate 3/2's all of equal size); that's where the work is, in music theory, composition and in tuning - all of which frequently employ effects resulting directly from the type of discrepancies that occur between the partials and a temperament. You haven't been reading Webern or Schoenberg, by any chance? ;) I like them, too! Clark
This PTG archive page provided courtesy of Moy Piano Service, LLC