Richard, If I may say so... You take a piano pounder like Corea and add a brand new, strings not settled and stretched Yamaha CFIIIS and an outdoor concert and you wind up with problems. No piano can take all the variables until the strings settle and one tuner tunes the piano over a period of time. I could have had a better experience with Chick if I would have had more than just a couple of twenty minute sessions to tune it outdoors in the wind and noise. Yamaha in America has Concert grand's for their Concert artist stationed in most major cities, as do other major piano companies. So they don't need to send the piano for specific concerts. They also have tuners that they are comfortable with all over as well. When Yamaha's C n A department opened many years ago they would send a Japanese tuner with Andre Watts to court him and make sure everything was fine. I don't believe they do this any more. I got some great advice from LeRoy Edwards a week ago. He said he wants the piano to be at concert temp for a day and at least two hours of silence. If for any reason (sound and lighting people) the place is not quiet he politely gets up and leaves. He lets the promoter know this ahead of time. That way his reputation is in tact and he does not worry about the piano being stable. I have adopted his policy after long conversations with him about this at dinner. Does any one else have special rules you live by in these situations? Ed Tomlinson Vancouver, WA << Grin... This is some kind of a promotion tour in Europe Ed. The Yamaha CFIII follows him around wherever he goes and Yamaha is paying for it. They insure that the nearest Yamaha certified tech is on the job. That's the word from Gothenburg anyway. The concert was grand, but the piano unfortunately didn't hold tuning through the first set. The story is interesting so I will quickly write it down. The Yamaha tech was in town from Monday to Wednesday to prep and tune the piano and then he left. Corea's contract specifies a tech on hand during each concert. The local Yamaha dealer is also a tech and decided to take the actual tuning job, I wasn't informed and the jazz club was quick to apologize last night. This fellow was a bit over confident and was not present under the concert. To bad for him really. He's a nice fellow and a good tech really, but he is not a popular fellow in certain circles today. Anyway Corea insisted on the piano being touched up during the break. 700 loud talkers in a small hall. hmmm.. I was called to do the job and I warned him that with all the noise it was not going to be easy to guarantee good results. He insisted anyway and was really nice about it all. So I got driven home to get my tools, sat down to tune and was amazed at how bad the unisons were. Half of the tenor and treble section was really knocked out badly, some up to a couple beats a second. So it was easy enough to make a big improvement. Checked the octaves with double octave thirds, tenths and thirds real quickly after cleaning the unisons, and they were OK enough. The piano held fine through the second set. There was very little lighting on stage, not much warmth so climate shouldn't really have been a problem. Seeing how the octaves were as close as they were and just unisons banged out, I'd have to conclude the tuner just didn't get his unisons set well enough. He had been there for 4 hours earlier in the day. I suppose he got a bit stressed out, thinking of how big a star Corea is, etc. Personally, I have tuned for Corea Concerts 5 times through the years and have never been called on stage. In fact in 18 years at tuning for Molde Int. Jazz festival and for Bergen Natt Jazz I have not experienced one single complaint. And we have had folks from Jarrett to Pullan to Tanja Maria to Tyner banging away. Anyway ... this dealer tech is a pretty good friend of mine, though I am not sure why he horned in on this job. I expect an interesting day today as the jazz club called him late last night to let him know what was going on. Richard Brekne I.C.P.T.G. N.P.T.F. Bergen, Norway >>
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