This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Pat, I think a good hard test blow in a controlled environment is = different, as it is done with a certain amount of restraint. When many = musicians get fired up during an actual performance, be it rock, = classical or an organ recital, another component kicks in. When I = played guitar in a pop group (decades ago) I used to thrash the living = daylights out of my Fender Strat when the adrenaline got going. = Musicians from all quarters are all guilty of it - including vocalists, = violinists and drummers (especially drummers). During rehearsals and = recording sessions all is OK, but "on stage" when the lights go up - all = hell can break loose and the vocal cords, vellums, bow hairs and strings = start to take their toll. Brian=20 -----Original Message----- From: Pat Neely <pneely@thegrid.net> To: pianotech@ptg.org <pianotech@ptg.org> Date: Friday, 26 November 1999 5:04 Subject: Re: Wham Bang =FF=FE=20 I have and have seen some pretty hard test blows or stablizing blows = that it would seem were too hard for any one to be just playing the = piano. do we break a lot of strings I haven't heard that to be so , I'm = curious, so it must be with the sustain? ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/92/e9/9f/de/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC