I have recently worked on a number of Steinway grands with hammer striking point problems. In all cases, the new hammers in the the problematic (third) section had to be re-glued. This is a fairly common procedure with many Steinway grands (even with brand new ones right inside the factory), but it remains a time consuming and expensive pain in the neck. I am sure this problem is due to irregularities in the making of the frame (and) in combination with the construction of soundboard and bridges. It is , apparently, not so easy to make "the" perfect instrument but one thing is always in favor of the Steinway concept : When treated "right", a Steinway grand always has the superb tone. Giving "any" instrument the right treatment, is yet another matter, but for me it is "slumberland time" (for me). antares@euronet.nl >Sorry Newton, I have no technical proof (as most of us don't for most of >what we say here). Larry Fine in his book, other techs from Steinway, and >_unbiased, independent_ techs (such as myself) that I respect have told me >that "_small_ deffects were corrected" with the new plate, such as slight >strikepoint changes. I find no problem with the new plate and have recently >prepped and serviced several and I think they're great after dealer prep. I >should not have typed in the word "much" in my previous post. If my post >sounded like the new B is much improved over the old...no. The new plate >corrects minor inconsistancies or deffects. Period. If I personally bought a >new Steinway, I'd prefer the B3 if given the choice. I guess it depends on >how synical we are and if we have an ax to grind. > >I believe that any company that constantly strives to improve, is bound to >waver at times, i.e. teflon. I wonder what the % of patents in the last 50 >years turned out to actually improve their piano vs hurt. With technology, >etc, changing, I'd prefer that they continued to try to improve rather than >sit on what was proven decades ago just because that's how it "was" done. > >I welcome other tech's experiences with these B's and whether there is any >significant difference. > >Lance Lafargue, RPT >Mandeville, LA >New Orleans Chapter > > >> is much improved over the older one. > >Now how do you know this? We have seen many Steinway "improvements" >in the past that were less than such. If you have technical >information to share I would love to know about it. > > Newton > > >Lance Lafargue wrote: >> >> I just know that it was redesigned recently to correct small deffects, >> strike point being one. The new one has a 3 on the tail of the plate and >is >> much improved over the older one. >> >> Lance Lafargue, RPT >> Mandeville, LA >> New Orleans Chapter > >
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