Dave and list, Thanks for the clarification. I call that an octave seventh test. I've also heard of using the double octave seventh for the low bass. Any tips on that test? I've always heard that in both cases the progression slows as it gets lower. The addition of matching to the third a whole step higher is a new and welcome tool. Thanks for the input. Jim Love, PTG Associate, Midland, TX. Dave wrote>>Match E1-D3 E3-G#3..... The lower note of the matching third is one whole tone above the upper note of 14th.<<
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