I, too, encountered a "bare bridge" piano last week - a 20 year old Bechstein grand. The others I have seen have all been European. I think it's a matter of style. I've heard one opinion to the effect that the graphite serves as a sealer to the surface of the bridge, rather than acting as a lubricant. In a PTG Institute class in 1985, Klaus Fenner stated that a string had to be pulled about 60% of a semitone before it broke the friction at the bridge. I don't remember if he commented on the efficacy of graphited bridges. I wonder what the difference in friction is between plain wood and graphited wood in this application? Perhaps someone is interested in conducting an experiment. Intuitively, it doesn't seem like there would be that much difference. Bob Anderson Tucson, AZ
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