Ron... I wonder if you might extrapolate a bit on what you mean exactly by "breaking string deviation" A couple more paragraphs ought to do it... grin. Interesting post Richard Brekne I.C.P.T.G. N.P.T.F. Bergen, Norway Ron Overs wrote: > Hi list, > > The lower tenor and either side of the treble (strut) break are, in many > pianos, designed with string lengths which produce wide variations in the > percentage of breaking strain when at pitch. This will result in the > pitch deviating more in response to soundboard movement when humidity > changes. Furthure, if the downbearing angle lacks uniformity these pitch > variation will be more pronounced. > > We have measured over fifty different piano scales over the years. There > is a definite relationship between the overall deviation in the > percentage of breaking strain, and the tuning stabilitiy. While other > factors also have an influence, the most carefully manufactured piano > with a large deviation of breaking strain will always exhibit poor tuning > stability, eg. Yamaha U3. > > The Yamaha C7F, which has much less breaking strain deviation when > compared to previous models, has much improved tuning stability. > > A comparison of the scales of a Kawai KG6 and a Steinway model D will > show that the Kawai has apprximately 10% less deviation in the percentage > of breaking strain accross the scale. A well rebuilt KG6 will always > exhibit superior tuning stability to a well rebuilt model D. It is all a > matter of scale. > > Regards to all, > > Ron E. Overs > > Email: ron@overspianos.com.au > Website: www.overspianos.com.au
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