Hi, Pat, I don't believe there is evidence to support your quote regarding Bach's WTC, though certainly this is a common assertion; neither was his the first compilation that cycles through available keys. A lute suite predates it by 50 years(? its composer eludes me, but quite possibly was intended for 12tET), while Vicentino and Colonna both sketched exercises for their respective fifth-tone keyboard instruments. Modern instrument design may be influenced by the current temperament, but in brass and woodwinds it is no better realized than older versions with other systems - where modern large ensembles are no more accurate in their execution of a temperament than earlier ensembles. Fretted string instruments provided far more precise and predictable intonational results than their modern relatives which mask errors with vibrato. As 'modern' large ensembles don't regularly feature fixed pitch soloists, (12t)ET rarely is their intent, as more consonant intervals are more readily available; however, theorbos (lutes), harpsichords and organs were common continuo instruments, thereby influencing the pitches produced by those otherwise quite variable. 12tET _is_ a 'solution' in terms of performing a wide variation of music in a single setting, indeed, many 20th century works make advantage of its qualities, but it is not naturally a final destination either for tonality or temperament. Cordially, Clark
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