I have the same question: >"how is the wood helped to acclimate itself to this range just by controlling the moisture content in the drying kiln?< I suspect that drying the wood to lower moisture contents helps it be stable at lower atmospheric humidities. Does anyone have a technical background in this area??? It's pretty easy to understand that soundboard drying during manufacture and environmental humidity for the piano's lifetime would be critical to the longevity of the soundboard. Are the case parts like rim, frames and pinblock glued together at this kiln-dried low moisture content? Is that what would make them more stable (just like the soundboard)? How would this affect action parts and pinning? Will drying new wood to various moisture contents then affect the amount they will contract or expand when subjected to various environmental humidity levels? In short I can identify three dyring/glueing situations, the last two of which I have questions about: 1) The soundboard - obvious - the board is dried to an optimal MC and then glued into the rim at that MC. This will provide (ideally) for appropriate range of swelling and contracting in anticipated room RH ranges. 2) Case parts like rim, frames, pinblock - the wood is kiln dried. Is it then assembled at the dry state - much like the soundboard to prevent cracking/delaminating, etc.? Or is it allowed to acclimate to room conditions and then glued or assembled and the kiln drying process somehow magically makes the wood more long lasting in an environment of changing RH? 3) Action parts and pinning. How does kiln drying affect the longevity of pinning in various RH environments? Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: <Maxpiano@AOL.COM> To: <pianotech@ptg.org> Sent: Tuesday, June 27, 2000 6:42 AM Subject: Re: QUERY:YAMAHA GRANDS BUILT FOR JAPANESE MARKET > I service a couple of Yamaha grands that were sold by a dealer whom I know > trades in gray market pianos. My biggest problem is not with the quality of > the pianos but the disreputable quality (read: character) of the dealer. I > was contacted before the purchase and advised extreme caution for reasons > that have been aired on this thread. The customers elected to go ahead > anyway. So far, no problems. > > My question is, when our humidity ranges from 70% (or even 80% plus) in > summer to 30% with the heat on, how is the wood helped to acclimate itself to > this range just by controlling the moisture content in the drying kiln? > Knight used to post notice in their pianos that they were "manufactured for > the American climate." Just what IS the "American climate?" > > Bill Maxim > South Carolina
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