Hi David, It is not the board(wood) but the plate that reacts instantly. That's why individually tied unisons drop *less* than looped (shared hitch pins), and why full perimeter metal plate pianos drop less than other designs. I do agree that deliberate overshoot to a pitch level higher than A440 is not necessaryily useful. At 02:10 PM 08/16/2001 -0700, you wrote: >I don't think it's necessary. If you do a pitch raise to get the pitch to >440 before you fine tune, the board reacts pretty instantaneously and a >further drop in pitch over time is not likely. This is assuming they tune >it again within a reasonable amount of time which, by virtue of the piano >being so flat to begin with, does not seem likely. > >David Love > >----- Original Message ----- >From: "Farrell" <mfarrel2@tampabay.rr.com> >To: <pianotech@ptg.org> >Sent: August 15, 2001 3:36 PM >Subject: Pitch Raising to A440.......Or Not? > > >> I do a lot of pitch raises. Many are significant - 30 cents to 150 cents. >> These are pianos whose owner do not have the need of exactly A440. The >last >> few I have raised to A441 or A442 - figuring this will help speed >stability >> at A440. Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.M.T., R.P.T. Tuner for the Saskatchewan Centre of the Arts mailto:drose@dlcwest.com http://donrose.xoasis.com/ 3004 Grant Rd. REGINA, SK S4S 5G7 306-352-3620 or 1-888-29t-uner
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