In a message dated 19/08/01 2:08:19 PM, RNossaman@KSCABLE.com writes: << then low later as the string slowly renders through the bridge. Anyway, that's my take. >> I would say your take is correct and take your take a little further.................... A given string will not render past a front bridge pin until the tension above the pin is equal to, or larger than, the tension of the speaking length 'plus' the friction gain at the pin 'and' across the bridge. Additionally the string will not render past the rearward bridge pin until the tension of the speaking length is equal to, or larger than the sum of the friction gain of front pin 'plus' bridge 'plus' friction gain of the rear pin.........(if we add in aliquots then that friction gain would also have to be added to the total) Does the plate "flex" or "compress"...well yes without a doubt it does.... to some extent......... the question is 'which way'? With downbearing on the bridge the strings will have a tendency to pull upward on the plate...right? But since the hitch pin holds the string above, or on top of, the plate and the tension applied to the pin is off-center at the top surface of the plate....... the tendency of the string tension will be to pull/push the plate down...right? So that being accepted........... the aggregate question then is whether these tendencies 'cancel' each other out...or does one overide the other? For the sake of question No. 1 let's assume that the bridge/soundboard does 'not' flex....period. For question No. 2 we will add the 'flexibility' of the sounding board. Grey iron and steel wire are each relatively unaffected by changes in humidity whereas the soundboard is changed at a ratio determined by the available humidity and the cellular structure(s) of that particular board. This 'humidity shift' changes from board to board and is much greater than any humidity change to wire or plate in any of the currently used formulations....................For the sake of the question let's suppose a static temperature and also suppose that a soundboard rises just enough to change speaking length tension but not enough to overcome "friction gain" at the front bridge pin. In this situation the pitch of the speaking length will rise, as will the pitch of the standing end of the string...except that because of equal tension and differing speaking lengths the pitch of the standing end will be proportionately higher than the speaking length...right? In this situation does the flexing/compressing of the plate follow the rise of the soundboard or does the plate remain static and realtively unaffected by this change?............... Ponder points only. :-) Jim Bryant (FL)
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