----- Original Message ----- From: John Delacour <JD@Pianomaker.co.uk> To: <pianotech@ptg.org> Sent: Thursday, November 29, 2001 12:58 PM Subject: Re: sanderson Bass strings/scale | | To change the wire gauges on a Steinway is deliberately to change the | character of the tone -- and inevitably for the worse. | | JD I have wondered since hearing some of the practices of the bass string makers, don't they "change the scale" by the methods they use? What is the "scale stick" I have heard that is used by M and others? You send a paper impression and the first and last string of each division. Do you still get the same "scale" back? I have heard that makers in the end cut and try bass strings. What ever sounds the best they use. (And then apply it to the rest of the models I presume) Does this account for reported "gross" jumps in tension throughout the bass scale. So if the string maker uses a "scale stick" do these "gross" differences come back the same or altered? Then what about the way a bass string is made. Some mention was made about how the copper is held when winding. A good example in the Journal. I would think bass strings would have a diff characteristic when wound "loose" than wound "tight". Is this true and does such a practice exist? (tight vs "loose" windings) Or is there a "universal" tightness that everybody seeks when winding bass strings.? ---ric
This PTG archive page provided courtesy of Moy Piano Service, LLC