Tom, After I pitchraised and tuned a guy's pitifully out-of-tune spinet, he called me a week later to say that several notes really sounded off. When I arrived to check it out I asked him if he had tried to touch up my tuning, since I knew he had a tuning hammer. He said, "No! You believe me, don't you?!" He seemed to be itching for an argument, so I just said, "If you say so." No, I didn't believe him. Shortly thereafter he volunteered, "I only worked on one or two." There you go; the truth was out. I will never go back, mainly because he was combative. That was years ago, and thankfully he has never called me again. Clyde Tvak@AOL.COM wrote: > Arrived at a new client's house to find a relatively new Yamaha P22. Before > I even touched the piano, the client told me, "This piano goes out of tune 2 > months after it's tuned. I don't know if it's the piano, or the tuner. > That's why I tried you, to see if it would stay in tune longer with a > different tuner." So I played a chromatic scale upward from middle C, and > one octave up, at C5 the unison was WAY out. F5, F#5 also WAY out, but > everything else slightly out of tune to a normal degree. So I started my > pitch raise, (it was at 437) and when I got to C5, I was surprised to find > that one of the strings was 35 cents sharp. Same with F5, and F#5. I > pondered this throughout the tuning as to how or why this could happen. > Flat, I could understand, but sharp? > > Anyway, I gave her my bill, took her check, and as always, I said, "I'll put > a card in the bench. If you need to find me, you'll know where to look." > And when I opened the bench, I had to laugh inwardly, at least. I knew how > those unisons came to be so out of tune: in the bench was a gooseneck tuning > lever. Now, I don't suspect she tuned the whole piano for the overall > tuning, though degraded through time, was far too good. I think a unison or > two, perhaps at C5, F5, or F#5 went slightly out and she tried to fix'em. > > Another interesting day, and another puzzler solved. > > Tom Sivak
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