This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Re: String massageMy observation is that if you have massaged the string = (that was flat to begin with) firmly enough (no whacking!) to = stretch/raise the pitch of the backscale, the pitch of the speaking = length will then be lowered until you raise the pitch by turning the = tuning pin. Some of the pitch will come back up as the string cools. Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message -----=20 From: thepianoarts=20 To: pianotech@ptg.org=20 Sent: Monday, February 19, 2001 11:23 PM Subject: Re: String massage Ola, I use the brass rod method in setting unisons in pianos that don't = render well. One note: rubbing and pushing down on the wire will lower = the pitch. Some of this change is caused by heat, allowing the wire to = stretch, and lower in pitch. It is quite dramatic how the pitch will = change from rubbing. Don't be fooled...the pitch will creep back up, = within abount a minute. =20 Dan Reed Dallas Chapter Ola wrote: Can it help me to stabilise the pressure of the speaking and = nonspeaking areas if I massage the string? Espessially in the last one = and a half octave. Will it save me time and give me a more stabile = result? I've tried it and noticed the string reacts alot to it. What part of the string do I start with and how much massage is = needed? Many Thanks=20 Ola Andersson The Reply was > >> I had to pitch raise and tune a Rippen today! >> My question is: >> Because of the long "non speaking" area of the string next to = the pins. >>(Sorry for my bad explaination but I'm exhausted) you know what I = mean. How >>is the best way of doing this on a Rippen (pitchraise + tune)? I = suppose you >>done some? >My way, could be, pitch raise first, gentle of course, then press = down? and >strike all the wire from the hitchpins to the tuningpins to loose = all the >rusty points where the wire sticks to the pins and=20 >Then press the sustain and BANGG all the keys to equal all the >tensionpartials. >Well I could do it this way i think. Rudyard, ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/22/b4/18/55/attachment.htm ---------------------- multipart/alternative attachment--
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