Duplex

John Delacour JD@Pianomaker.co.uk
Fri, 9 Nov 2001 19:35:00 +0000


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At 2:48 AM +1100 11/10/01, Ron Overs wrote:
>JD wrote:
>
>>  > Well, Ron, this presumes a pretty sharp "terminating pivot" 
>>which is neither
>>>  desirable nor even attainable by makers who might think it desirable.
>
>It's certainly attainable JD if we want it. Bars can be hardened to 
>cut piano wire like cheese should one desire it. And that without as 
>much as marking the bar.

Sure... such stuff as tuners' nightmares are made on!

>
>Ron N replied:
>
>>Not necessarily. A 2X12 plank across a 55 gallon drum will rock quite easily
>>with a kid on each end. It doesn't have to be a knife edge to produce the
>>effect.
>
>Agree entirely.

Well the all the 55 gallon drums on the pianos I deal with are 
cemented to the frame and have the 2x12 plank firmly clamped to them 
by the upward pressure on the plank and I challenge any kid to use 
them as a see-saw.  The analogy doesn't hold water!


>  However, to follow on from Johns comments, I suspect that smaller 
>radius bars produces less distortion.

I would say that the smaller the radius facing the speaking length 
the better, just as a short vertical drop in the soundboard bridge in 
the line with the centre of the pins will provide the best 
termination there, but since I am not interested in resonant front 
lengths I would provide a relatively long sliding surface to the 
plank side at the same angle as that made by the wire as it rises to 
the bearing bar.




>The large radius bar will actually cause the effective string length 
>to shorten and lengthen as the string goes through each cycle. I 
>haven't proven this by experiment, but it sure seems to have legs, 
>if the bars (either duplex or capo) have a large radius, the tone 
>doesn't seem to be any good. It changes radically for the better 
>when the bar radii are reduced.

Yes. in effect the string never knows how long it is and there will 
be minute fluctuations in the frequency together with the risk of 
noise.

When I am restringing pianos without duplex scaling, eg. Ibach, 
Bechstein, I usually replace 'soft' bearings with a 1/8" round or 
half-round bearing backed up with a softish felt bearing, sometimes 
adding a second 1/8" brass bearing before the wrestpins.

JD




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