This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment By the way, I don't disagree with you at all about the importance of = piano preparation. I was only referring to the need to create = "excitement" with the tuning rather than relying on the pianist's = ability (not to mention the music itself). David Love ----- Original Message -----=20 From: Billbrpt@AOL.COM=20 To: pianotech@ptg.org=20 Sent: October 21, 2001 4:19 AM Subject: Re: more on this temperament thing In a message dated 10/21/01 6:07:55 AM Central Daylight Time, = davidlovepianos@earthlink.net (David Love) writes:=20 That being said, if the pianist needs an altered tuning to create = excitement, he should practice more. It's always been my belief, as a piano technician that the better = prepared the piano, the better equipped the artist is. Remember that I = have not advocated *HT* as such for Jazz. To you, this implies = *altered* tuning which means something quite noticeably different and = thus creates an *interference* with what you do rather than provide an = enhancement.=20 I don't know if you can or have tried my EBVT but as I have designed = it (with Tempered Octaves), it is meant to enhance your playing, not = shock or disturb your musical sensibilities. It is meant to provide = definition, texture and clarity, not weird, jarring and shocking = dissonances. If the EBVT is still to *altered* for you, I believe you = might benefit from the Marpurg (also with my Tempered Octaves system). = I will give your piano an uncanny clean, crisp and clear sound but = absolutely will not create any distinction between keys.=20 Bill Bremmer RPT=20 Madison, Wisconsin=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/e4/43/9a/84/attachment.htm ---------------------- multipart/alternative attachment--
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