Scale tension

David M. Porritt dm.porritt@verizon.net
Fri, 05 Apr 2002 18:30:24 -0600


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Obviously it's more than just the hardness of the hammers, but I've
seen some breakage from trying to get more sound than those hammers
would give.

dave
*********** REPLY SEPARATOR ***********

On 4/5/02 at 1:45 PM Wimblees@AOL.COM wrote:
In a message dated 4/5/02 11:29:12 AM Central Standard Time,
dm.porritt@verizon.net writes: 



I think soft hammers break more strings than hard ones.  Why? 
Because the pianist wants a certain sound for the fff climax of the 
piece.  If the hammers are soft, he/she has to hit the keys harder. 
Still not enough sound, hit them harder yet.  Bang!  It happens all 
the time. 

dave 




I do agree that a pianist wants to hear a loud sound, and he will
play hard, but I don't think it is necessarily the condition of the
hammers. The same pianist who broke strings on his B, didn't break
them on the D in the concert hall, either before the concert when he
practiced, and during the concert. And he played the Rach 3, quite a
loud and boisterous piece, to say the least. 

I think part of the problem is the playing technique. Some pianist
have a technique that will cause strings to break, regardless whether
they are soft or not. A very good jazz player in St. Louis had
reputation of breaking strings. It was something in his attacking the
notes that caused strings to break. A lot of fundamental churches
break strings, because they constantly play hard. So I don't think it
is all related to the condition of hammers. 

Wim 
_____________________________
David M. Porritt
dporritt@mail.smu.edu
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275
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