This must be the curse of the "Old School"! In the four years I have been servicing pianos, I have left maybe three pianos below A440. So what happens today? I go to a first time appt. - old upright - tune and glue on a few keytops - sounds suspicious. I was running late and thought, "this sounds like maybe one I can talk her into taking it to the dump". I walked in the door (house-keeper let me it) and there was the horror staring at me: spray-painted gold "antique" with some of the alligator dark finish showing through. Keys up and down and up and down and sideways. Open top. YIKES! A few hammers missing, felts missing, dampers missing, broken strings tangled about hammers and dampers. Total destruction. I though to myself (Plan A) "Ok guy, let's make short work of this - tell her it is a POS, collect a service fee and split". Lady (owner) walks in, and before I can say anything, she bellows "Oh, you must be the piano tuner who is going to fix my beautiful piano - I just love this piano - it sounds so beautiful - I just love the way it sounds", etc., etc. So I pause for a moment and thing to myself "Hmmmm, what is Plan B?" I did spend 42 seconds telling her she might want to consider trashing it - it didn't set too well with her. I did talk about a pitch raise - she just kinda curled her lip up - I did get out of her that no-one is taking lessons or singing or playing other instruments with it - its just her that plays it once in a while. The short story is I tuned that thing in 45 minutes and left it 15 cents flat. It was the worst tuning I have ever done, and I even skipped the few notes in the high treble that were lacking hammers and/or hammer felt! I still claim to be Mr. "A440 or else!", but golly gosh, I guess there are times when alternatives are in order - not often, but sometimes. With tail between legs, Terry Farrell ----- Original Message ----- From: <A440A@AOL.COM> To: <pianotech@ptg.org> Sent: Tuesday, April 23, 2002 7:43 PM Subject: Re: "Old School Teachings" > > >My question: Why is it that many "old school" piano tuners "tune it where > >it lies". I can understand the old upright worries (although I find they > >are usually not justified), but not a 30 year old piano. I can only assume > >they were taught that way. Is that correct? > > Greetings, > I don't think so. I would be inclined to say laziness. Or possibly, > they were fearful to try to sell the more expensive work and rather than > explain the charges, just tuned it where it was. Whatever, it is poor > workmanship and a hazard to the development of young children's sense of > pitch, so I consider them bums for doing it that way. (and it is still going > on!) > Regards, > Ed Foote RPT
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