>On Fri, 11 Jan 2002 00:20:30 > Robin Hufford wrote: >. . . For example, athough I think it likely the bridge motion proponents will > >contest this, and I await the next ingenious denial, their ideas >would suggest that > >the agraffe itself must be moving similarly to the bridge, >although on an obviously > >reduced scale- that is rocking fore and aft, flexing side to side >and moving the >>plate underneath it. I rather doubt it. Phil Ford wrote: >. . . No I don't contest or deny it. This is consistent with the >idea of force being applied by >the string to its supports as it vibrates. If a force is applied, >unless the agraffe >and plate are infinitely stiff then they must move. Exactly Phil! >This seems consistent with >what the designers try to do - make the agraffe and plate system >very stiff here >so that they move as little as possible so that string energy is >dissipated as little >as possible at this point. Agreed - plates and agraffes don't make particularly good sound boards. Ron O. -- OVERS PIANOS Grand Piano Manufacturers _____________________________ Web: http://www.overspianos.com.au Email: mailto:ron@overspianos.com.au _____________________________
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