John, I've seen 'tropicalized' pianos where all joints where bichromated. (and the case wood too.) I suggest you wear gloves in all dyes work, as a Friend of ours which is a voilin maker had BIG health problems because of the products he uses (and he does not use these Cellulosic laquers !) Regards. Isaac OLEG > -----Message d'origine----- > De : owner-pianotech@ptg.org [mailto:owner-pianotech@ptg.org]De la part > de John Delacour > Envoyé : lundi 14 janvier 2002 09:37 > À : pianotech@ptg.org > Objet : Re: my own Soundboard > > > At 9:10 PM -0600 1/13/02, Ron Nossaman wrote: > > >TB II contains a nasty yellow dye that stains everything it touches, > >including my hands. It doesn't wash out of anything, and I tend to > >be somewhat less than timid when I'm spreading glue. That's it. > >Personal preference. > > That could well be bichromate of potash. This can also be added to > animal glue to render it moisture-resistant and is a very old remedy. > I can't be sure I've ever seen a piano using this additive in the > glue, but quite possibly some tropicalized export pianos used it in > the old days for export to very hoy and humid climates. > > The only use I make of bichromate of potash is for darkening and > reddening certain types of mahogany. Not all types will respond, and > there are a few other woods that will respond in different ways. > Given the right wood, there is nothing more effective as a stain, > since it bites right into the wood and stains it chemically to a good > depth. Great care is needed in getting the strength of the solution > right, since you can't undo things by washing off. > > The color of the solution is a deep yellow tending to orange and will > stain your hands for days. > > JD > >
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