Stephane writes: >On cembalums and on pianofortes, as the body of the sound is weaker, the >knocking of the key against the rail is more obvious, and gets often a >little ennoying. But on a good piano, I would make this also part of the >voicing techniques, to control balance between attack and body of the note. I agree that a harder front punching changes the sound of the piano. It increases the impact noise, thus making a more distinctive attack(this is addressed in the "Five Lectures" article as "thump" noise"). What I am questioning is the linkage between a harder front punching and the "tone" of the piano, and the idea that one is feeling the hammer impact through the key. I can feel the string vibrations in the key on a good piano, but that is not the same as sensing the contact of the hammer with the string, which is what I am trying to get a fix on. REgards, Ed Foote
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