"David M. Porritt" wrote: > > This has been an interesting thread. As a proponent of Renner Blues, > I'm amazed at the gyrations one goes through to make NY S&S hammers > useable. All the different concoctions from Collodion & ether, > lacquer, plexiglas, sanding sealer, keytops and shellac (have I left > any off?) to make a hammer what it's supposed to be. I've done it > and it isn't fun. > > I find I can get the sound I want -- and more importantly the sound > the pianist wants -- with the Renner Blues doing just a very small > fraction of the work that's been talked about in this thread. I > realize that all this has to do with our personal preferences and > what we get used to. I also know there's no right or wrong about > this. I just prefer hanging Renners and taking an hour or less to > make them what I want. I'm probably just lazy! > > dave > Actually David,,,, having had a bit of experience with the nearest counterparts to Renner Blues over here I would have to agree with you one billion percent. Its great to install a hammer that does the brothers part of the work right out of the box. But for my part, I hold onto a bottle of cellulose lacquer for older hammers that arent going to get changed but need some help. And for those few top hammers and lowest on new sets. RicB
This PTG archive page provided courtesy of Moy Piano Service, LLC