It's amazing how different hammers can be. My 1993 Boston (5' 10") is a fairly mellow piano. I got it used when it was five years old or so - so I don't know what may have been done to the hammers. I wonder if the supplier has changed. I have never voiced them. Terry Farrell ----- Original Message ----- From: "Ron Nossaman" <RNossaman@cox.net> To: <pianotech@ptg.org> Sent: Friday, July 19, 2002 9:32 AM Subject: Re: Interesting Piano Belly - Mehlin Grand > > >I think I know what you're saying--but I'm not totally sure. Anyway, I > >ended up voicing this particular Boston with pliers. I really hate doing it > >that way, it seems sort of vulgar. But I couldn't get a needle into the > >thing to save my life. The pliers actually worked pretty well. One squeeze > >at 10:00 and one at 2:00 and the hammers sounded more like sandstone than > >granite. Yes, that was an improvement. > > > >David Love > > David, > This lady had been unhappy with the hard sound since she bought it. Since > she wasn't complaining about the Hamilton in the basement that, to me, hurt > just as bad to listen to, I suggested we brass brush the hammer with the > tuning for a couple of rounds to temporarily and non destructively take > some of the pain out see if she could meet it half way before we waded into > any major voicing work. I was trying to get some idea of her preferences > and tolerances before doing something that I might consider an improvement, > but she might consider a disaster. The brushing's affect is temporary, > she's not making her peace with the sound, and come what may, she's ready > for the next step. I think the pliers are a tad inelegant too, but I'd > resort to them if I had to. I intend to steam them into the approximate > range, or rather out of the inappropriate range, and minimally needle as > necessary to smooth and blend. Just removing the pain should make her day, > and we'll see what's left to work with when the clang is gone. Then maybe > we'll talk about that Hamilton. > > Ron N >
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