>I didn't want to go too far > with the 'brilliance voicing'. I wish I could have played a few notes on the piano after the concert. Then I would know how it sounds to the pianist and how it sounded to the audience in row U in that particular building. Instead I ended up talking to a sound engineer in the lobby after, who said it was a New York D from the 70's with original parts. (But he is only a sound engineer, what does he know of Teflon bushings? ; ) But he knows the technician (Tim Coates) whom I know also so I can always check it out. But if that is the case then it really is a fabulous piano. The bass is fantastic along with the tenor. The piano is really "present" but that has to do with the acoustic properties of the hall also. To get a little more "bite" in the treble might leave the hapless tech with a thin and incipid (sp??) tone at m and mf and a glassy tone at f and ff. I wouldn't try it other than testing several brands of new hammers on new shanks so the old ones can be screwed back on again if it turns out what we have now is about all we can get out of that D. And of course we would like listen to a side by side comparison of another concert grand there (Washington Pav. Sioux Falls). The CF111's, Fazioli, Shigeru, RX's Ex's, Grotrian, Bosendorfer, Schimmel, Bechstein, Hamburg, etc have all been improving in the last 30 years. What an experience it would be to have a pianist like Olga Kern to go through the exhibit hall of the national convention, listening to her comments on each piano she played. In the end and after all, the pianist has to make the best of the instrument of that evening. What other musician plays a different instrument for every venue? And the program is already set. How they do it makes the pianist even more of a legendary performer. ---rm ----- Original Message ----- From: Phil Bondi <tito@philbondi.com> To: Pianotech <pianotech@ptg.org> Sent: Thursday, April 03, 2003 2:50 AM Subject: Re: Olga Kern -- Sioux Falls Washington Pav. March 2003 > Richard, I'm glad you enjoyed the show. > > Olga was here about a month ago for the Sanibel Music Festival. She was > playing on a CFlll, and was asking for more 'brilliance' from the top > end..so maybe what you were desiring from the performance you heard and what > she wanted from me are similar?!? > > I believe I satisfied her, but didn't make her completely happy. It was a > rented CFlll, and I know the owner of the piano. I didn't want to go too far > with the 'brilliance voicing'. > > Richard, I'm glad yours was a good experience. > > -Phil Bondi (Fl.) > phil@philbondi.com >
This PTG archive page provided courtesy of Moy Piano Service, LLC