I think this is a bit hyperbolic. I don't hear many people spending much energy trying to find reasons or prove anything negative about Stanwood's system. I hear, on occasion, a few people describing his system as overkill, that you can get a perfectly fine functioning action without going to such lengths. And I think that they are right. You can get an action to perform well without the kind of detailed analysis and set up that the Stanwood system calls for. That may not appeal to the growing number of type A's who have found his system to be just what the doctor ordered, but there are other ways to skin a cat. Personally, as a nearly certified type A when it comes to piano work, I find Stanwood metrology a good way to incorporate predictability into action design. Whether or not I agree with the specific designs that I have seen is a different matter but one in which I wouldn't presume to discuss in terms of right and wrong. But for now, I think David S. is safe from any replays of the trials in Salem, and I hear far more compliments and interest in his ideas than I do negative pronouncements. David Love davidlovepianos@earthlink.net ----- Original Message ----- From: Richard Brekne To: Pianotech Sent: 4/8/2003 11:49:22 AM Subject: Stanwood Standards, was Upweight Maximums You know, now that you mention this particular point I'd like to get something off my mind. Seems like there are a lot of folks who are spending a good deal of energy trying to find reasons why the Stanwood system, or his set of standards do not work, or are erroneous in relation to some other perspectives, or why its worthless. Most of the criticisms I've seen are really based on too little understanding of Stanwood Touchweight Design to begin with.
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