>Even with titebond II I would not trust a 5 ton string tension on a big >Viennese piano. Nor would I, but that's a tad over the stress levels experienced by soundboard glue joints. >I agree with Ron that most of the bad stories of PVA creep are related to >the earlier white stuff. And there continues to be little to no differentiation between the types when this stuff is discussed. It is too often all indiscriminantly labeled PVA, and dismissed because it creeps. Ron N
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