on 12/28/03 12:32 PM, Ron Nossaman at RNossaman@cox.net wrote: > No math, no minutia, just my attempt to step back for an overview of my > own. There are a whole lot of minute details being discussed here, all of > which are worth defining and clarifying to the degree that it's possible, > but the original questions of how these things fit together in an action > are of more general interest and use, and that still isn't being addressed. > The problems we deal with, and the confusion that remains is still how all > this stuff mechanically interacts in a piano action. > > Ron N Thank you, thank you, thank you---this post is brilliant, and an incredible breath of fresh air into an increasingly wonky discussion. Please: letus not forget the bottom line: how does it sound, and how does it feel, and how do ALL the factors of construction, mass, movement, and position in a piano action affect the "spielart" of the instrument. This is truly a deep and majestic craft, ladies and gentleman. Ron, my gratitude for this post. Great job. David Andersen Malibu, CA
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