Don't let the modified subject line give you the wrong idea. Yes, sometimes a subject gets beaten to death, or in this case, "reduced to the rediculous". But I haven't been this entertained by the list participants in quite some time. I think we all need a good, long and hearty belly laugh every now & then; and this thread is doin' the trick! Thanks. Terry Peterson ----Original Message Follows---- From: "Mark Davidson" <mark.davidson@mindspring.com> Reply-To: Mark Davidson <mark.davidson@mindspring.com>, Pianotech<pianotech@ptg.org> [link redacted at request of site owner - Jul 25, 2015] <pianotech@ptg.org> Subject: Re: Moment of Inertia of grand action parts. Date: Sun, 28 Dec 2003 10:14:57 -0500 John Hartman wrote: > Have you plugged in the MOIs? It looks like the shank and hammer > contribute about 12 times or more of the total I as felt at the key. If > the formula is right it shows how unimportant changes to the key MOI is > in relation to overall efficiency. Also, if there is any benefit to > pattern leading it is not to make the action feel even from note to > note. Adding lead to the key is not the big evil commonly thought unless > it has some effect on repetition. > > I think we are going to find that the biggest problem with increasing > the mass of the action parts is the losses due to bending and compliance. Obviously depends on your assumptions about hammer weight and SWR, but I have come up with about 87-81% of the reflected inertia in the hammer/shank, 12-16% in the key, 1-3% in the wippen (range from bass-treble). Pretty much the same conclusions about leading, except... there seems to be a lot of anecdotal evidence to suggest a noticeable difference in feel between a more-leaded action versus a wippen assisted action (with same SW, SWRs, BW). Haven't quite worked that out to my satisfaction. Too many people out there with lots of rebuilding experience saying there's a difference. Probably has to do with how each part starts moving/flexes as things compress at the start of the keystroke. > I still need to complete the kinetic model of the action but I can see > ahead to the next step. Maybe you are already there. Is there a way to > convert the kinetic forces developed at different levels of play into > static loads. Then we can see how these loads bend the shank and key. It > would be great if this could lead to a formula for finding the terminal > velocity of the hammer. I think I see what you're asking. The upward force at the capstan on the wippen heel would the torque on the key (key front radius * (finger - BW - friction) divided by the capstan radius. This force is the input on the wippen. The torque on the wippen is this force * wippen heel radius. See where this is going? -Mark _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives _________________________________________________________________ Check your PC for viruses with the FREE McAfee online computer scan. http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
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