>Actually, the most frustrating times I can remember happened when I made >a pitch DROP. You do the correction from 1-88 then, usually in the tenor >section, you tune a center string--settling string & pin as always--only >to find that it moves sharp, significantly, while you tune an outer >string. Same thing, only the back segments are pulling string through the bridge instead of the speaking length. And pounding doesn't help here. Ron N
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