I've never had an adhesion problem with topcoats on epoxy, but I know sometimes cured epoxy develops a waxy type coat on it. But, cured epoxy needs to be sanded, and good spar varnishes will have some type of solvent they recommend for cleaning the surface during prep. I have made the mistake before - "I always use brand X turpentine and have had good results" then when you use brand Y topcoat you get some kind of incompatibility thing going on. I have found that if the topcoat (paint or varnish) says to use Interlux #333 solvent cleaner, then by golly gosh, I'm going to use Interlux #333 solvent cleaner, and I will experience no problems. So, my recommendation is to clean with recommended solvent, sand to appropriate grit, and then clean again with recommended solvent. You should have no compatibility problems. I would also make sure that the epoxy was properly mixed and has cured for a week or so at appropriate temperatures. Terry Farrell ----- Original Message ----- From: "Delwin D Fandrich" <pianobuilders@olynet.com> To: <davidlovepianos@earthlink.net>; "Pianotech" <pianotech@ptg.org> Sent: Saturday, March 01, 2003 11:32 AM Subject: Re: System Three Varnish > > ----- Original Message ----- > From: "David Love" <davidlovepianos@earthlink.net> > To: "Pianotech" <pianotech@ptg.org> > Sent: February 28, 2003 5:50 PM > Subject: Re: System Three Varnish > > > > > > I'm not sure why the flexibility of the varnish would matter. Either the > > board is stiff or it isn't. In the case of an epoxied board, the epoxy > > provides the stiffness and the varnish topcoat is not required to > > contribute additional stiffness. Nor would it make the epoxy any less > > stiff by virtue of its flexibility, if it is, in fact, flexible. I have > > used varnishes for years on soundboards, usually over a shellac undercoat > > without detriment. In this case, since I am stiffening the board with > > epoxy and System Three makes a varnish that supposedly does not have any > > compatibility with their epoxy. I was more wondering about the cosmetic > > quality. > > > David, > > As I said earlier, I've not used System Three varnish. But the compatibility > issue may be a valid one. I've had one combination of epoxy/varnish give me > problems. The varnish never did thoroughly dry and had to be stripped off > and replaced. It also softened the surface of the epoxy. It had to be > scraped down to hard, clean epoxy. I took it back to just the surface of the > wood. All in all a real mess. I then recoated and went on. This was some > years back and the epoxy was an off-brand purchased from a (then) local > marine supply store. The varnish was purchased at a (then) local paint > store. I don't remember the brand but it was not one of the major marine > varnishes. I've subsequently been told that these problems are rare but they > still can occur. I don't know why they occur or what there is in either > product that might create the potential problem. The chemists out there are > welcome to have a go at it. > > My experience with soundboard coatings has convinced me that the physical > characteristics of the finish material are incidental to the soundboard's > performance until either their mass or stiffness becomes a significant > percentage of the whole. In the case of the epoxy coating the stiffness of > the soundboard system is increased (significantly) and mass is increased > (slightly). I can't see any common coating material on its own doing either. > > Del > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
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