Ron N. wrote: "My Titebond attached bridges are clamped to the board by screws and soundboard buttons alone, with possibly a small hand clamp on the extreme treble end. Just enough pressure to close any gap and get some glue squeeze out." I realize that what you posted is pretty darn clear, but for someone who might be clamp-trust-challanged (I generally like 18 clamps per square inch on most of my projects), I ask for the following clarification: My first bridge that I will be gluing on has rib spacing varying from about six inches to three inches apart. My understanding is that you suggest that one screw/button placed every three to six inches (mid way between each rib) along the bridge will provide sufficient clamping for a Tightbond joint? Might the fearful feel better if a larger block of wood is used temporarily instead of a button? With your process do you see good glue squeeze-out mid-way between screws (as in on the top side of the board at rib locations)? Maybe part of my problem is I am imagining this floppy panel - but I suppose it won't be so floppy after ribs are attached. Terry Farrell ----- Original Message ----- From: "Ron Nossaman" <RNossaman@cox.net> To: "Pianotech" <pianotech@ptg.org> Sent: Friday, March 07, 2003 6:49 PM Subject: Re: Epoxy Man Strikes Again > > >4. Tone killer, as reported by a friend who used epoxy glue for a bridge > >(as an adhesive). > > > >Hmmm. Anyone know anything about this? Or is this an offshoot of the > >"circle of sound" theory? > > Not in my experience. Folks have been using epoxy for bridge work for a > long time - because it works quite well. If the tone was killed in the > piano with an epoxy attached bridge, it was for reasons other than the use > (at least the correct use) of epoxy. I habitually bed cutoff bars in, and > fill rib mortices with epoxy for new rib scales to very satisfactory affect. > > > >I have never glued a bridge to a board. I will be doing so soon. I know > >that you need good even clamping pressure when using hide glue or > >Titebond. I have fear that I won't get good pressure everywhere. Epoxy > >would eliminate that concern. Anyone in the mood to convince me that I > >will get a good bond by running a few screws through the board back into > >the bridge? Or convince me epoxy is not a good choice - haven't seen good > >evidence yet! > > > >Terry Farrell > > > I've always done it just that way. My Titebond attached bridges are clamped > to the board by screws and soundboard buttons alone, with possibly a small > hand clamp on the extreme treble end. Just enough pressure to close any gap > and get some glue squeeze out. I guarantee that anything past an hour later > (actually, more like 10 minutes), you won't get one of those bridges off > that board without destroying the board. Why in the world wouldn't that be > adequate? It just isn't any more critical than that. > > If you want to use epoxy, by all means do it instead of asking to be talked > out of it. It shouldn't do any harm, but I don't see any reason to go to > the trouble, and there won't be a discernable performance benefit or > penalty either way. > > Ron N > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
This PTG archive page provided courtesy of Moy Piano Service, LLC