>customers love the way their pianos sound when we do. I can't think of a better reason. Good point, though I thought it had *more* (sorry I couldn't resist) to do with the way pianos were tuned when the composers composed. But do you tell them you are tuning their piano the way a harmonium was tuned rather than a piano? Are you talking about a Moore? What offsets do you use? ---rm ----- Original Message ----- From: <A440A@aol.com> To: <pianotech@ptg.org> Sent: Monday, March 10, 2003 4:44 AM Subject: Re: Broadwood Best > Ric writes: > > << Why would a tuner> > want to tune a historical tuning on a piano today that is derived> > from a tuning on an harmonium in in 18??. >> Because > customers love the way their pianos sound when we do, and pay good > money to have me continue. I can't think of a better reason. > > Ed Foote RPT > www.uk-piano.org/edfoote/ > www.uk-piano.org/edfoote/well_tempered_piano.html >
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