----- Original Message ----- [link redacted at request of site owner - Jul 25, 2015] To: "Pianotech" <pianotech@ptg.org> Sent: Thursday, May 01, 2003 1:33 PM Subject: Re: Key Leads and Inertia In order to play a note > the key is accelerated from 0 velocity to some greater velocity during > a short period of time. There is really no time for the player to > benefit from any momentum (mass time speed) that may happen in the > action. While playing the action bits and pieces are accelerating or > decelerating. I can't think of any time when a part is moving with > constant speed except when the note is not being played at all. > > John Hartman RPT > I have to disagree. There are many times I play a key with a constant or even stroke on soft blows. Sometimes all the little finger can do amongst all the rest of the activity is add a note on the downbeat. Nice and steady, pressed down, not struck. Certainly an exact constant velocity is impossible to obtain but the change in acceleration can be controlled by the pianist. Kind of like the feel you get when the action is out of the piano and you're tossing the hammers up so they come back down nicely into check and you set the repetition spring tension. The velocity of the hammer is much easier to control with less change in acceleration of the key. There are other ways to "toss" the hammer and I try to use them all. They all make a different sound. I certainly think I take advantage of momentum/ mass speed. Some notes I set the hammer in motion and never feel the key bottom out because that finger is needed some other place. Aftertouch is the warning signal that the bottom is near. Most real pianists don't like keyboards because there is no aftertouch. But I digress, great thread. Great topics for the last couple of weeks. Keith Roberts
This PTG archive page provided courtesy of Moy Piano Service, LLC