hammer mass (was Wurzen felt)

David M. Porritt dm.porritt@verizon.net
Mon, 12 May 2003 12:41:31 -0500


David:

Did you mean 7/32" or 7/16"

dave

*********** REPLY SEPARATOR  ***********

On 5/12/2003 at 10:32 AM David Love wrote:

>Yes, it seems that it is not a pure test.  It was interesting,
however, to
>observe the difference.   It brings something else to mind, which is
what
>happens when, say, a new action with 7/16" shanks is combined with a
hammer
>weight from the original design which utilized 3/16" shanks and of a
>different species of wood.  My own experience does suggest that a
light
>hammer on a 3/16" maple shank does not sound the same as that same
hammer
>on a hex 7/16" shank made of hornbeam.  
>
>David Love
>davidlovepianos@earthlink.net
>
>
>> [Original Message]
>> From: Stephen Birkett <sbirkett@real.uwaterloo.ca>
>> To: Pianotech <pianotech@ptg.org>; <davidlovepianos@earthlink.net>
>> Date: 5/12/2003 9:18:36 AM
>> Subject: hammer mass (was Wurzen felt)
>>
>> David Love scripsit:
>> >  I have had an experience on the other end fo the spectrum.  I
>> >have a customer with a Hamburg Steinway A (newer one).  She
wanted the
>> >action heavier so a previous technician put clips on the shanks.
Though
>> >she liked the weight, the tone became very unpleasant to her and
others
>who
>> >heard the piano.  I suggested we try removing the clips (she had
not
>made
>> >the connection), fortunately an easy thing to do.  The tone that
she had
>> >loved about the piano returned.  A match of hammer weight to the
>soundboard
>> >assembly (and the relative density of the hammer, perhaps), is
clearly
>> >important.  Heavier hammers do not always sound better, as I have
often
>> >heard stated here.
>>
>> An interesting experiment, for sure, but putting clips on the
shanks 
>> is not the same thing as simply "increasing hammer mass". The
clips 
>> will certainly affect the resonsant frequencies of the shanks
which 
>> may well have been a significant contributor to the tonal change.
We 
>> don't yet have general relationships which connect shank
flexibility 
>> to tone, but there's plenty of anecdotal evidence about this, and 
>> shank resonances are a proposed mechanism.
>>
>> How to increase mass without altering shank resonance frequencies?

>> You can't because *any* change in mass distribution of the 
>> hammer/shank system will influence these. Even adding or removing 
>> mass to (from) the hammer core may influence tone by altering the 
>> strike mass/string relationship, or by altering the shank/hammer 
>> resonances, or both. These are different phenomena. Unfortunately
the 
>> nature of piano action mechanism makes it impossible to adjust 
>> independently only the strike mass/string mass relationship [which
is 
>> what will be generally understood by "adjust the hammer mass"].
>>
>> Ah...the complexities of our difficult friend the pianoforte.
>>
>> Stephen
>> -- 
>> Dr Stephen Birkett
>> Associate Professor
>> Department of Systems Design Engineering
>> University of Waterloo
>> Waterloo, Ontario
>> Canada N2L 3G1
>>
>> Davis Building Room 2617
>> tel: 519-888-4567 Ext. 3792
>> PianoTech Lab Ext. 7115
>> mailto: sbirkett[at]real.uwaterloo.ca
>> http://real.uwaterloo.ca/~sbirkett
>
>
>
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_____________________________
David M. Porritt
dporritt@mail.smu.edu
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275
_____________________________



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