Richard writes: << This ETD / Ear thing always seems to bring out the emotional side of our reasoning on either side of the fence. Its easy to loose track of the probably fact that ETD's are hear to stay... and will continue to get better and better until at some point ear tuning will just become downright superfluous. We may loose some of the human creative aspects of our musical experiences... but the writing seems quite apparent and in large text on the proverbial wall. >> That writing has been on the wall for a long time. Arthur Fiedler went on record as being well impressed with the results of using a SOT (Sight-0-Tuner) in the mid 1970's. I have presented a straight off the machine FAC tuning to some of the most acute ears on the planet and the tuning was deemed "excellent". The differences between my most careful aural tuning and the FAC for a Steinway D are so neglible that it is a moot point to even debate them with any but other tuners. The customer's requirements are covered long before. As I have said, poor scales can throw most machines off, in those cases the ears have it beat. Unisons, also, require the subjective judgement to be rendered evenly from note to note. The machines ability to measure stretch is also a boon, no longer are customers limited to the tuner's mood, but can specify exactly what they want with some chance of getting it. (ever seen one of George Winston's contracts???). Repeatability is unmatched, as well as putting two pianos together. HOwever, without the machines, there would be virtually no growing movement of well-temperament usage, and pitch raises would still be either omitted or costly in many cases. I also think that the prevalence of machines has had a great effect on the quality of tuning the general public sees. I know of several tuners that cannot tune without the machine, yet they are able to deliver high quality work, for pay. This is bread on the table, any way you slice it. Am I threatened by machines making tuning so easily available? No. I have many other things to sell in the way of piano maintenance. Trusting solely in the technology is a risky, but there is no way a superior result can be had with using ears alone as opposed to using educated ears assisted by technology. I was fortunate in having some of the best training available, and 16 years of aurally taking care of very demanding venues, but after all that, getting a SAT made me an even better tuner. Regards, Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html <A HREF="http://artists.mp3s.com/artists/399/six_degrees_of_tonality.html"> MP3.com: Six Degrees of Tonality</A>
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