Laminated ribs and grain angle

Farrell mfarrel2@tampabay.rr.com
Wed, 12 Nov 2003 06:04:20 -0500


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And this leads me to a concept I have never been at peace with: panel =
flitch width. Seems that a popular target flitch width is maybe about =
four inches. I have trouble imagining how a number of narrow flitches =
would be detrimental to the soundboard. That would allow use of some of =
this non-optimal-grain-angle wood by resawing to quarter it. Now =
certainly more work would be involved, but I see that as the only =
downside. Some may suggest appearance, but I don't see that as an issue =
- often the only way I can find flitch joints on a subpanel is to look =
for the squared-off ends - straight grain and consistent color make =
joints nearly invisible. Is there something else I need to get a grip of =
to understand this?

FWIW, I most often use 45-degree grain-angle (non-nicely quartered) =
spruce for rib laminations. I reverse the grain angles from lamination =
to lamination like below, thinking this may maximize stability. Don't =
know this really does anything except make me feel better - but it most =
certainly does do that (please don't burst my bubble).

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Terry Farrell

----- Original Message -----=20
From: "Ron Nossaman" <RNossaman@cox.net>
To: <davidlovepianos@earthlink.net>; "Pianotech" <pianotech@ptg.org>
Sent: Tuesday, November 11, 2003 7:56 PM
Subject: Re: Laminated ribs and grain angle


>=20
> >How critical is grain angle when making laminated ribs?
> >
> >David Love
>=20
> Annular ring, I presume, rather than axial... <G> As nearly as I can =
tell,=20
> it's not critical at all. This is handy in letting you use planks with =

> grain angles you wouldn't want in the panel and would otherwise =
discard, in=20
> the ribs
>=20
> Ron N
>=20


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