This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment ----- Original Message -----=20 From: Farrell=20 To: Pianotech=20 Sent: November 12, 2003 3:04 AM Subject: Re: Laminated ribs and grain angle And this leads me to a concept I have never been at peace with: panel = flitch width. Seems that a popular target flitch width is maybe about = four inches. I have trouble imagining how a number of narrow flitches = would be detrimental to the soundboard. That would allow use of some of = this non-optimal-grain-angle wood by resawing to quarter it. Now = certainly more work would be involved, but I see that as the only = downside. Some may suggest appearance, but I don't see that as an issue = - often the only way I can find flitch joints on a subpanel is to look = for the squared-off ends - straight grain and consistent color make = joints nearly invisible. Is there something else I need to get a grip of = to understand this? Ah, but Terry, appearance is the issue. That and a lot of mysticism. = Most of the mythology we have accumulated about soundboard construction = goes back to the erratic and unpredictable nature of the = compression-crowned soundboard structure. And with this construction it = is important to remove every possible variable. When a panel doesn't = belly "properly" or if the piano ends up not sounding quite right -- not = quite "great" -- it must be because the grain was too wide. Or too = narrow. Or because the boards were too narrow. Or too wide. Or the wrong = color. Or because it came from the south side of the mountain. Or the = wrong elevation. Or the grain angle was slightly off perpendicular. Or = something. Perhaps it's just one of those mysteries of life that is = beyond our comprehension -- "we don't know why some pianos come out = sounding great and others don't." It's a mystery. These factors become less critical the further you get from the pure = compression-crowned system.=20 FWIW, I most often use 45-degree grain-angle (non-nicely quartered) = spruce for rib laminations. I reverse the grain angles from lamination = to lamination like below, thinking this may maximize stability. Don't = know this really does anything except make me feel better - but it most = certainly does do that (please don't burst my bubble). ///////// \\\\\\\\\ ///////// \\\\\\\\\ ///////// \\\\\\\\\ Terry Farrell Whatever makes you feel good, Terry. Go for it. In reality, though, when = the thickness of the laminations becomes small enough it doesn't seem to = matter either way. Del ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/4b/d9/4c/27/attachment.htm ---------------------- multipart/alternative attachment--
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